Almost two years ago, I made the decision to leave my role as a middle and high school teacher to pursue a Master’s in Theological Studies. It was both a difficult step to take, and also one I felt was necessary in order to follow a dream I had to research religion and music more deeply.
If I am being truthful, I regretted the decision almost immediately. As my first semester of classes began in the Fall of 2016, I found myself struggling to justify why I had left a job which had given me purpose to earn a degree that would just require another degree to get me as far as I believed I wanted to go. I started to experience the feelings I felt when I was 12 and 19, those feelings that became the days themselves and cast their long shadows over months. It didn’t make sense: I was privileged enough to study for my Master’s, something few people get to do, and I was about to propose to my then-girlfriend, whom I had loved for years.
I have a new poem in Issue #15 of FreezeRay Poetry, an online poetry journal I admire. The poem is about family, technology, Seinfeld, and the ways that narratives we haven’t lived can still haunt us. You can read (and hear me reading!)“The One About Us” and the rest of Issue #15 here.
All of my writings can be found on the Publications page. Thank you for reading.
2017 was full of personal growth and joy in the midst of a revealing and painful year for our society. The albums that provided the soundtrack to my year reflect those two poles, with much of what I listened to providing a prophetic voice for troubled times.
This is also my fifth year noting my favorite albums in a year, so I took some time to see how my past years lined up with my current view on the albums listed then. In 2013, almost every album stayed in my rotation, but in 2014, only three did. I was mostly right about 2015, and last year, in 2016, I would go back and move Solange and ScHoolboy Q up to the spots right under Frank Ocean. We’ll see how this year stacks up, but for now, here are the albums that provided the soundtrack to my year.
This post is the last part of a four-part series on my song, “could be,” from my album my anxious age. You can read part one here, on the importance of knowing and honoring the stories of the ones we love in order to know them fully, read part two here, on the hard and necessary process of letting ghosts go in order to live whole, and read part three here, on valuing the moments that make us who we are.
This post is part three of a four-part series on my song, “could be,” from my album my anxious age. You can read part one here, on the importance of knowing and honoring the stories of the ones we love in order to know them fully, and you can read part two here, on the hard and necessary process of letting ghosts go in order to live whole.
This post is part two of a four-part series on my song, “could be,” from my album my anxious age. You can read part one here, where I describe how verse one, which relays the lifelong impact of my childhood experience with bullying, and how it is essential to know the stories of the ones we love in order to know them fully.
After breaking down my song “lately” a few weeks ago, I wanted to share some thoughts on another song, “could be,” from my latest album my anxious age. This song is the thesis statement of the album and, in my opinion, is the best song I have ever written, as it captures most of what I have ever tried to say on record. In its four verses, I try to capture the complexity of life by zooming in on my own personal history before zooming out to reflect on where I am now and where I am headed. My hope, in telling my story, is that the listener or reader might hear something of their own story, or at least find the courage to start telling their own. Below, I break the first verse down. Continue reading →
“Lately,” from my latest album my anxious age, is now available for listening on Soundcloud. The album is available for purchase here, and now features two additional songs along with a 24-page full color zine with lyrics, personal stories, and poetry. The lyric page for “Lately” is shown above.
my anxious age tells the story of a season of depression I went through in the fall of 2016 after I left the classroom to pursue my graduate studies. Continue reading →
I have a new piece published in Dallas-based AUSTERE Magazine, a journal by very cool people doing incredible work. Check them out.
My piece, “Trophy Kids,” can be read here. You can also purchase a print edition from their online shop. You might recognize the name “Trophy Kids” from the zine I released with my album, which is available for purchase here. The name is a defense of the millennial generation, but I’ll let you see for yourself what I mean. Thanks for reading. More soon.
Since I left my teaching position last summer to pursue my Master’s in Theological Studies, I have struggled to find a new route to take with this blog. Over the course of my three years in the classroom, it slowly turned into my reflections on teaching. The intent was always to make this a space to inspire people with stories, and I’ve been thinking recently of how to do so through others’ voices, especially millenials who often receive undue criticism and baseless stereotypes that seek to degrade us while we work to become who we are in this world.
I asked Natasha (Tash) Nkhama, a former student, to share her insights about an incident that happened in her first semester at Baylor. Our conversation is below.